Makali'i, Ka'elo, Nana 'A'ahoaka Ka Ua Ha'ao O Ka Ho'a Keia Kaleinamanu Ponahakeone Ka'iwakiloumoku
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Photo: Courtesy of Bishop Museum


‘O ka lale au o Kaiona
I nonoho i ka malu ‘ohai
I am the sweet voiced bird of Kaiona
Who dwells in the ‘ohai shade


The mythical lale, a bird for which we have no other name or referent, is remembered in chant and story for the beauty of its song. Lale also means “to encourage, urge, stir to action.” Kaiona, the benevolent goddess of the Wai‘anae Mountains, served as inspiration for the best known of Bernice Pauahi’s chant names – Ka Wahine Hele Lā o Kaiona, The Woman Who Walks in the Sunlight of Kaiona.


Ka Lale o Kaiona is dedicated to intelligent discussion of Hawaiian poetry and to a renewed understanding of the words to which the lale of our kūpuna gave sweet voice. We feature four mele in each four-month volume of our forum: their texts, translations, backgrounds, and interpretations. We encourage you, in turn, to contribute to this discussion with thoughts, connections, critiques, and memories of your own.

We hope that our dialog will help to correct an egregious flaw in the conventional, classroom wisdom of our day: that mele Hawaiʻi belongs to a second-class literature unworthy of serious study and appreciation. It is, in fact, helu ‘ekahi: rich, deep, and wonderfully nourishing. It is the beloved poi ‘uoʻuo that feeds our naau and sustains the nexus of our Hawaiian intellect and emotion.

 

 

Jack Jeffrey Photography

 






 
Aia i Hilo One
Hilo, Hawai‘i, is traditionally divided into three sections: Hilo Palikū (Hilo of the Upright Cliff) lies east of the Wailuku River at the Hāmākua end of Hilo town; Hilo One (Sand Hilo) identifies the ma kai section of Hilo bordered by the wide, black sand beach that once ran the length of Hilo Bay; and Hilo Hanakahi (Hilo of the Chief Hanakahi) refers to the inland section of Hilo near Keaukaha.  

Complete essay >>



 
Photo Courtesy of Bishop Museum  

Moku o Keawe
Emalia Kaihumua, a noted dancer in the court of David Kalākaua, is best remembered today as "Sweet Emalia," the heartthrob of the three-way relationship described in the still-popular composition "Aia I Hilo One." Her talents, moreover, seem to have reached beyond hula and huinakolu; while performing in California in 1894, she was inspired by cold and homesickness to write "He Aloha Moku O Keawe," a song of intense longing for the island of Hawai‘i.

Complete essay >>

 

   
     

 


 




   
     

 


 


     

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